An analysis of the hunchback of notre dame by victor hugo
Victor hugo describing notre dame
Her readiness to accept what she believes to be her fate prevents her from realizing until too late that the gypsy girl she has vented her rage upon is her long lost daughter. To protect the anonymity of contributors, we've removed their names and personal information from the essays. Evolution in the minds of the main characters is important. The Hunchback of Notre Dame, An Analysis of the Film Essay - In the film, The Hunchback of Notre Dame, adapted from the novel written by Victor Hugo, the themes are obvious in numerous scenes of the film; however, in other scenes themes are hidden to eyes of the audience and revealed in significant images or actions. The enormous popularity of the book in France spurred the nascent historical preservation movement in that country and strongly encouraged Gothic revival architecture. Hugo was profoundly concerned by the class differences that set the French Revolution in motion. Allusions and references[ edit ] Allusions to actual history, geography and current science[ edit ] In The Hunchback of Notre-Dame, Victor Hugo makes frequent reference to the architecture of the Cathedral of Notre Dame in Paris. Frederic Shoberl 's English translation was published as The Hunchback of Notre Dame which became the generally used title in English , which refers to Quasimodo , Notre Dame's bellringer. They are depicted in different episodes. Quasimodo, the hunchback, was the victim, and Frollo, the priest, was the monster. Colombe is Fleur-de-Lys' friend. She is rescued by Frollo and Gringoire. As a character in the novel, she has one of the most interesting names. It seems as if the new architecture is actually now uglier and worse than it was before the repairing.
It saves him, and she captures his heart. He forces her to confess to the crime and sentences her to be hanged in the gallows. Esmeralda, seeing his thirst, approaches the public stocks and offers him a drink of water.
Frollo cannot be considered a typical anti-hero because he demonstrates the ability to be caring, magnanimous and noble, he reveals the features of the romantic personality, he is influenced by the religious restrictions, and he aspires to resist the temptation.
Hugo suggests that Frollo's deterministic attitude and resignation of free will is what allows him to become such a horrible person. There's a problem with this paper. OUP Oxford, First - the mystery, the feast of fools, competition for the best grimace where Quasimodo is elected by the king.
When did victor hugo wrote the hunchback of notre dame
After his brother stops giving him money, he becomes rogue. The character of Frollo is controversial because his beneficial actions determine him as a positive personage, but the subsequent behavior reveals his negative features. Everything he presented to the world: twisted legs, a deformed spine, oversized hands, and a monocled visage crowned by a mane of hair the rust color of autumn leaves, made him a most insufferable man in the eyes of the people. These details about the personage reveal his desire and intention to stay loyal to the principles of the church. He thus uses this example of "fatality" to justify his actions since nothing he or anyone else can do will change the predetermined outcome. Many characters in the novel do not believe in free will. The French film is one of the few versions to end almost exactly like the novel, although it changes other sections of the story. She is willing to sacrifice her virtue to Phoebus, however, and her blind love for the handsome soldier leads to her destruction. Being so much deformed he has a hunchback, a giant wart, and protrusion originating from his chest. Therefore, it is difficult to evaluate the guilt of the character because his actions are determined by various factors including the external influence of the religious and moral rules. Believing that the gypsies killed her baby girl, the Sachette chooses to sequester herself in the Tour-Roland where she develops an intense hatred for gypsies while she practices extreme devotion to the tiny shoe, the only surviving relic of her daughter. The priest cannot be regarded as a typical anti-hero because he attempts to resist the temptation of the demon. Jacques Charmolue is Claude Frollo's friend in charge of torturing prisoners. In addition to dancing with Esmeralda, Djali can do tricks for money, such as tell time, spell Phoebus' name, and do impressions of public figures.
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